On Prince’s “The Ballad of Dorothy Parker”

Prince died a week ago. I’m really bummed about it. I’ve had some really good friends rave about how life-changing his shows are, and I kept convincing myself that I’d actually go to one. That can’t happen anymore, and it reminds me to take advantage of what exists in the now as much as I can.What I have now is his entire discography, pulled together from various sources since I started listening to Prince regularly in my adult life.[^1] This past week I’ve been listening almost exclusively to all the Prince music I’ve collected, while also occasionally reading the reflective writing that has been published about the Artist. Much of that writing has been focused around his early-era, groundbreaking synth pop work: Purple Rain, working with The Revolution, the song “1999”. An occasional word about his tenuous relationship Warner Bros. Records. This great piece about the underrated & sometimes bizarre 1981 release Controversy. I want to talk about one Prince song in particular that fundamentally changed how I think about recorded music: “The Ballad of Dorothy Parker.”

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Peak live music, or no more surprises

What do you do when you stop caring about something you used to love?

I moved to Salem, MA and basically stopped actively seeking live music. I still see live music – say, when my girlfriend and I go out to brunch and a jazz band happens to be performing there, or when a once-in-a-lifetime performance in the city happens – but for years I would spend hundreds of dollars almost every month trying to see as many bands as possible. There were so many possibilities, even in “our music scene is dying” Boston – I would frequent Great Scott and Harper’s Ferry/Brighton Music Hall and The Middle East and (begrudgingly) TT the Bear’s (just kidding, RIP).

I don’t think it’s because I’m getting older. I don’t think it’s even because bands aren’t impressing me anymore. I still listen to recorded music constantly and find new bands via blogs and Apple Music and friends’ posts.

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many voices from different paths, but only me in the room

There’s an interview with Annie Clark and David Byrne in which they describe their working relationship for Love This Giant: DB: This was a more intertwined collaboration than most I’ve done. In many ways it was more democratic– we were constantly bouncing what we were doing off one another. Which is creatively great, but also…

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